Avengers links

Posted in Movies with tags on May 18, 2012 by Cara Marie

I wanted to make a post linking some of the fantastic Avengers meta I’ve been reading, but I’ve lost track of it all since the tragic death of my hard drive.

But here are a couple of interesting posts on the costuming:

I don’t pay a lot of attention to costuming myself, but I find it fascinating to read the thoughts of those who do.

I also wanted to link this Black Widow vid: Comeback. It’s an action vid using source from both Iron Man II and Avengers, and I enjoyed it a lot. Because who doesn’t want to watch Natasha being awesome?

The man and the monster

Posted in Movies, Superhero with tags , on May 13, 2012 by Cara Marie

I’ve always been fond of the Hulk. And I quite enjoyed The Incredible Hulk – mainly because I think Edward Norton is excellent. So I was worried about what we were going to get in The Avengers.

I didn’t have to be. Mark Ruffalo is now my Bruce Banner for ever and ever.

Halfway through The Avengers, we have Hulk as the out-of-control monster; at the end, that rage is focused, and the monster becomes a weapon. And I know the sharpness of that change bothered some people.

But in The Incredible Hulk, we see that the monster is capable of recognising the woman Banner loves, of defending her. So the Hulk is not all rage and property damage all the time. He learns, and is capable of compassion. I haven’t read many Hulk comics, but that’s there in those I have.

 

You wouldn’t like me when I’m angry.

When Bruce first Hulks out, he is angry. Natasha tries to talk him down, but she’s the thing he’s angry at. Maybe not the mind, but certainly the hand that dragged him into this mess. She’s lied to him, repeatedly. It’s just you and me. There’s no cage.

And Bruce stays calm, as if he’s okay with this, and he swallows her lies, because what’s his other option? Only the very thing he’s running from.

And if we take the Hulk as an amplification of Bruce’s anger: well, Natasha should be afraid.

But we know from The Incredible Hulk that anger is not the sum total of the Hulk’s emotional range. He protects Betty, whom Bruce loves.

So, if Tony is someone whom Bruce genuinely likes and connects with – it might be a very new connection, but Bruce has few enough friends these days – well, then it’s no surprise that the Hulk would then look out for him, and act from concern for him.

That’s not a leap. It’s not a sudden penchant for team-play that comes out of nowhere.

Now, the Hulk punches Thor in the final battle. To remind us that the Hulk is not entirely under control. Also, because it’s funny.

At this point, we know we don’t have to worry the Hulk might hurt Thor. Thor can hold his own. We know this, and if the Hulk remembers and learns, then he knows too.

So does Bruce. There is a moment, much earlier in the movie, when a comment is made that a whole town was levelled because of Thor.

And hang on, isn’t that something people throw at the Hulk? And Bruce gives Thor this look. Like, he’s not alone. Sometimes masses of property damage are inevitable.

Because of that moment, I have it in my head that the Hulk punching Thor is just the equivalent of a bro-fist. Thor can take it. He just needs to remember who’s boss, right?

 

So, if I accept that the Hulk has awareness of the relationships and people that matter to Bruce …

… and those that Bruce might never articulate to himself, because that might be to admit that he and the Hulk are one and the same

… and the Hulk has a protective streak

… why, then I don’t find it a stretch that the Hulk would fight alongside our heroes, for something Bruce believes is important – important enough that he would choose to be ‘the other guy’.

Bruce has to set aside his anger, to go back and fight alongside people who have used him. He could have got away clean.

But sometimes you need the Hulk. (And doesn’t Tony have faith that Bruce would be back?)

Bruce becomes the Hulk then because he has a purpose. And the Hulk’s purposes are Bruce’s.

Maybe Bruce wanted to die, at one point. But I don’t think that he and the Hulk are so separate that there wasn’t a part of Bruce that wanted to live.

Less respectable but more fun Norse-inspired comics

Posted in Comics, Fantasy, Superhero with tags , on April 28, 2012 by Cara Marie

I bought a bunch of random trades at our recent sci-fi convention, including The Trials of Loki by Roberto Aguirre-Sacasa. Which is great – way better than Robert Rodi’s Loki miniseries which is a bit too ‘no-one understands me’ for my taste, also not always so easy to follow. Also far better than the DeConnick oneshot that covers some of the same material, like the shaving of Sif’s hair. The story gets more time to breathe.

Basically, this is the binding of Loki and that which lead to it, retold in the Marvel-verse. It feels cozily familiar. And unlike some Marvel stuff, the places this story does depart from the myths don’t feel egrigeous. And have as much to do with the differences in established canon as anything.

I also found it actually made me feel sympathetic to Balder, moreso than the myths ever have – I guess that’s the difference between telling and showing, there.

One change that did make me sad was to not have Sigyn there in the binding scene (not that I know anything about her in the Marvel-verse). And not having the whole one-son-tearing-out-the-other’s-entrails-to-bind-him thing. Which I’m fond of, awful as it is.

But this was a really solid miniseries. I especially liked the fight scene between Thor and Loki, where Loki’s using his shapeshifting to make it an even fight. (I was a little annoyed in the Avengers when Loki was holding his own against Thor in a close range fight. Without magic. This was more believable and more satisfying.)

Also, when we saw Loki engineering Balder’s death, I liked the sense that it wasn’t so much a malicious act, but a curious one. Gods don’t die much, so what happens once you start that ball rolling? When one death becomes three becomes now you have something to get revenge for, even what was your own fault.

I thought it was a really interesting portrayal of Loki, without making him not a villain, or playing up the angst. And I would recommend it.

Northlanders 1–3

Posted in Action/adventure, Comics with tags , , on April 28, 2012 by Cara Marie

I wish I could like this comic. I picked it up because I knew Dean Ormston worked on some of it, but sadly assumed that I’d like it, and thus ended up with way more than I could ever need. Volume 1 is a complete story itself, and I liked the protagonist reasonably well. It was an enjoyable if not particularly memorable story. Volumes 2 and 3 each contain multiple short stories, and they’re where the nihilism really starts to set it.

Part of it is the need to be gritty: grr, argh, violent men! Blood and guts! Torment and torture! And … I am not opposed to these things? But I feel like Wood fails to express anything else.

Then there’s sneaking suspicion I got that Brian Wood was not especially interested in historical accuracy. Even though it feels like that’s what the grittiness is meant to be. This became clearest in volume three, which features a story about three women who have survived the destruction of their village. And at one point, one of them says, ‘You talk of our future. What future is there without men? What good is wealth? What can we spend it on? What can we be allowed to own?’

So, what everything I learnt about Vikings as a kid was wrong? Women didn’t get to keep the property they brought with them to a marriage? They couldn’t own land?

I think Wood is actually making Vikings less interesting.

Also in the issue ‘The Viking Art of Single Combat’ there is this commentary on Loki as a god of war.

The young among us will happily chirp out ‘Thor!’ when asked about the gods of war, but a proper warrior, the sort who won’t do something as cowardly as bleed out in a shield wall when he’s supposed to have your back … that man will smile and talk of Loki.

Slippery, slippery Loki. The ideal war god, sure, but also the god of poetry, education, deceit and trickery, all rolled into one.

Which is … no. As a description of Odin, that would do well. With Loki’s name there, I don’t buy it.

The other problem with that issue was the sheer amount of narrative text, which detracted from the flow of the art. The issue is a single fight scene, which you’d assume goes by relatively quickly, but the narration slows it down so much that you can hardly make sense of the action. Maybe it’s deliberate, and he wants to slow the fight scene down and imbue it with meaning … but in slowing it down, it doesn’t parse as a fight scene any more.

The artists, at least, are all excellent. I am a big Ormston fan, of course, and his issues were the ones I enjoyed the most, but I also thought the other artists did some gorgeous work.

It’s just a shame about the writing.

Moral choices and Mass Effect

Posted in Games, Science fiction with tags , on April 3, 2012 by Cara Marie

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Ridiculous movie time

Posted in Fantasy, Movies with tags on March 29, 2012 by Cara Marie

We only watched one movie this last movie night. Next up: Jurassic Park marathon!

Keloglan vs the Black Prince

First Turkish movie I have ever seen! It is quite silly, and quite fun. I suspect there are lots of jokes I didn’t get.

The movie is set in the land of fairy tales. Our hero, who used to have lovely golden hair until a dragon burnt it off, is stuck doing task after task in attempt to marry the sultan’s daughter. Only she keeps getting out of it. Because she doesn’t like him, which is fair enough, and also she’s in love with someone else. Her parents are just really insistent on her marrying Keloglan.

He’s pretty over it, at this point. He’s still infatuated with her, but he knows she’s just not into him. It’s made him somewhat suicidal. But when the sultan sends him on yet another quest, he cannot disobey. Even if he really really doesn’t want to go steal that fierce giant’s belt.

Luckily for his safety, because the giant turns out to be ripped, his best friend convinces him that, after all this time being good and completing ridiculous tasks, he should just cheat. They just need to find a circus giant to help.

There are crossdressing women! Lady giants who perform Hamlet! Wandering tribes of gay men! Dance competitions! Just lots and lots of dancing. Oh, and the ‘villain’, who is quite awesome. He has a support group and everything, and he just wants the story to be named after him, dammit.

I’m not sure how good a movie it was, but it certainly entertained me.

That ending

Posted in Games, Science fiction with tags on March 24, 2012 by Cara Marie

So I was having trouble imagining what sort of an ending could have everyone so pissed off.

Now I’ve finished Mass Effect 3, and I know. Because my thoughts on finishing the game were, ‘Wait, what the hell just happened?’ Read more »

Uncanny X-Men 8

Posted in Comics, Superhero with tags , on March 7, 2012 by Cara Marie

I had been a bit annoyed with the next-to-latest issue of Uncanny X-Men, because it was quite hard to follow … except it wasn’t, I’d just missed an issue. Duh.

It makes a lot more sense now. But it is the very latest issue that is most wonderful. See, Hope and Namor are stuck with the condundrum of how to placate a city of lake-dwellers they have no language in common with …

but wait. There is one language Namor is fluent in that all speak. And he goes and seduces the lake-dwellers’ queen. To Hope’s horror. ‘Ick, ick, ick!’ she says. (They’re not the most attractive of species.) And later she asks Namor if he’ll judge her if she calls him ‘king of ab-lantis’. ‘Yes,’ he says, ‘favourably.’ (Okay, Hope is not really very good at jokes, but she doesn’t have much experience, does she? And the kids her age she’s not really on an even footing with, because of the team leader minor-mind-control thing. Shame. Anyway!)

They are so funny and delightful together. It’s nice to see Hope having a positive relationship with someone! Not that I’d have picked it. Plus, it’s nice to see someone remember how young Hope is. Namor doesn’t treat her like a messiah or an abomination. Just a human who can be reasonably entertaining and just needs to be brought up right.

I’m getting quite fond of Namor, really. Doesn’t hurt that he goes around half-naked, using his wiley wiles for diplomacy and all.

I read this issue in the morning and it basically made my whole day 10x better. Maybe some other stuff happened in it, I hardly noticed over how awesome Hope and Namor were.

iZombie and a romantic digression

Posted in Books, Comics, Fantasy, Horror, Young adult with tags , , , , , on February 20, 2012 by Cara Marie

In things-I-haven’t-been-following-issue-by-issue, iZombie has turned from just reasonably entertaining to zomg why can’t I have more now? I think it’s the sort of thing that will really pay off reading in full, and rereading it, there’s lots of moments that don’t come to pay off till later. Also, you want to reread previous volumes before starting a new one – the overarc is a multi-volume one, and it’s easy to forget things.

A thought: it is possible to portray rapid-fire romances that do work for me. (I read an interview with Clive Barker that was all, the people who are wtf about Gazza just don’t understand my art, and it annoyed me. I refuse to believe I just fail as a reader, thanks for that suggestion CB.)

So: iZombie doesn’t conflate insta-attraction with insta-love. The romance comes from the fact Gwen and Horatio spent this awesome evening really connecting. You know? I can buy the speed of the intensity because you can see the way they click.

Tamora Pierce’s Mastiff, which I read recently, does have a really rapid falling in love – but it still happens over the course of the book, we explicitly see how Beka becomes comfortable with Farmer, we see enough of his personality to understand the attraction and why she would come to love him. Plus intense circumstances and all.

Maybe Gazza would have worked better for me if we’d spent any time with him before he met Candy? I feel like it’s important to understand why both partners are attracted to one another – and we the reader already like Candy, but we know nothing about this Gazza fellow or whatever charming qualities he has. Candy doesn’t have any time to see them. And maybe you want to make a point about their trans-lifetime connection but if you want me to buy two characters being in love I have to know what there is to love.

Horatio takes down a bunch of men in black.

Even if it’s something really shallow like he’s a badass monster hunter.

Many issues in quick succession

Posted in Comics, Fantasy, Superhero with tags , , , , , , , , , , , , , , , , , , on February 20, 2012 by Cara Marie

The Flash

I find the speed force kind of bewildering. How does being able to go really fast result in all these different abilities?

Random bystander says, 'Thanks for thawing us out, Flash. How'd you ...?' 'Friction,' Flash says.

But, I find Barry kind of adorable and I really like the art. I never intended to read The Flash? But it was apparently my mother’s favourite when she was young, and the covers were pretty …

All the good characters are really decent people, which is a refreshing change. Particularly when some characters you don’t expect to have a nasty streak end up having one …

Wonder Woman

Wonder Woman I have yet to get the latest issue. The first couple of issues were great but it’s rapidly gone meh for me. Also I expect Wonder Woman to be a superhero, not a Vertigo heroine. And I’m not opposed to Vertigo heroines, but Wonder Woman going to shows and smashing glasses into people’s hands (gods or no) and having an identity crisis is not really what I signed on for.

I’m just going to blame it on Brian Azzarello. It was his run I stopped reading Hellblazer the first time I was reading it. (Which I think is a pity now – because I was so close to Mike Carey’s run! Which I loved! But hey, the comics aren’t going anywhere.)

Demon Knights

Demon Knights is still fun. The dinosaurs are still wtf. I enjoy the tone of it, the mish-mash of high fantasy and all the things Paul Cornell thinks are awesome. I’d quite like to be consuming it in larger chunks.

Batwoman

Amy Reeder is good, but I feel a bit sorry for her, taking on Batwoman. Because she’s no JH Williams III. Some people might find the layouts easier to follow though! And Kate doesn’t look quite as anaemic.

Journey into Mystery

JiM is still charming. I like Hellstrom better here than anything else I’ve read him in.

'So,' Loki asks, 'Why the leather trousers and the lack of shirt?' And Leah says, 'I like the lack of shirt.' Me too, Leah.

Also, Leah has a lot of nice moments. Even the ones when she’s not there. ‘Even in a dream, Leah wouldn’t be nice!’ Loki says. Yup. Also, the bit where Thori’s  asking Hellstrom to be his master … it’s just great :D

Avengers Academy

I may be going off Avengers Academy. But then, I dislike time travel so it may just be this particular plotline. And Gage has a lot of characters to juggle now. (I just want my Finesse + Quicksilver bonding.) I’m not sure how well that’s going to work out? I would have preferred sticking to a smaller group. More time for character development. Less forgetting people exist (Sentinel boy).

Supergirl

I am a sucker for felt-tip colours at the moment. Still quite enjoying this, ignoring how on earth Kara managed to survive this issue (other than the power of love). There are some rather touching moments, where you see how young and on-the-verge-of-living Kara is.

Also, I have always been biased towards Supergirl :D